August 26, 2010
posted by Caroline Picard
Here is a link to Devin’s reading!
August 16, 2010
The Danny’s Tavern Reading Series
August 18th 2010!
Featuring readings by Patrick Culliton, Devin King, and Caroline Picard
Patrick Culliton’s chapbook Hornet Homily is available from Octopus Books. Recent work has appeared, or will soon, in Another Chicago Magazine, Beeswax, Conduit, Eleven Eleven and elsewhere. He teaches at UIC and Loyola.
Devin King’s first book CLOPS is out from the Green Lantern Press. He lives and works in Chicago.
Caroline Picard is the Founding Director of The Green Lantern Gallery & Press, and a Co-Editor for the literary podcast The Parlor (www. theparlorreads.com). Her writing has been published in a handful of publications including the Phildelphia Independant, NewCity, Lumpen, MAKE Magazine, the Chicago Art Journal Review and Proximity Magazine.
August 15, 2010
It has been interesting to think about the idea of space over the summer, particularly what it means to build or define it. We’ve been working it over in a number of ways–from the on-going and often Quixotic search for a permanent location, to the building of a website, and then too, the building of our on-line bookstore. In the midst of these buildings, we are, meantime, developing our rapport as a team. We meet once a week as a group to talk over our anticipated program, touch base on various issues we’re struggling with and offer updates. The website should come together with a beta version on August 25th and we’re hoping to launch it properly this September. Meantime the on-line store is supposed to go on-line this October. There will still be a period of working out the kinks also, Zach and I are pretty sure we’ll use featherproof and the Green Lantern Press as guinea pigs, load those books on the site and then see what kinds of problems arise that way, before asking for books from other presses. Since it looks like we won’t have a physical bookstore until the new year (at the earliest) we’ll have ample time to trouble shoot.
That said, there is all of this other energy in the gallery aspect of the space–we’ve pretty much squared away all of fall’s programming and it’s super exciting to know that something physical is going to manifest from that aspect of this summer’s work. Similarly, Devin has been working out the public programming/events–another interesting aspect about that issue is that, while we hope to one day have a separate performance space, this fall the gallery and the performance space are one and the same. Therefore we have to co-ordinate the physical demands of those respective projects. In other words, if a performance artist wanted to come in and do a splatter paint Galager watermellon fest, it would be impossible–because there will inevitibly be art up on the wall, or installations on the ground. It means that our fall events programming has to be fairly modest in its theatrical proportion. Thus we have a lot of readings lined up, some film screenings, a number of talks and some music events. Here too, I can’t help feeling like it’s going to help us in the long run–because I feel like we can test the waters, figure out what works and what doesn’t, and then see if we can open up our venue for larger events.
It’s all so near–right around the corner. The last two weeks feel like there’s been a lull, a little–a kind of in-between time before which we’d planned everything we possibly could plan in advance. Now, preparations are starting in a new way, to get everything ready for the ever-nearer opening in September. It’s very exciting. My favorite thing, however–I ended up in a conversation last night about the Green Lantern in which a friend of mine asked about the longevity of the project. The Green Lantern has been operating in some form for about six years. However, this new stage of developement is totally new, totally different. I thought about the Marvel Green Lantern, and then it occured to me that actually what is starting up this fall, what has been incubating this summer, is a new generation of the project. What was originally setup in my house, and put together by one group of people, is now being established off-site, by an entirely new group of people. Further, there are new aims, new interests, and with those new individuals–Zach, Abby, Devin–each arm of the project has that much more weight behind it. Something I never could have accomplished before. Obviously there will be new issues to face, other areas of weakness or tension, but it’s incredibly exciting to be a part of a project that has enough flexibility to transform.
July 20, 2010
Takeshi Mizutani’s guitar feedback is a circle built from tangents. Each tangent is the center of a two-dimensional vector-star that moves in vortices outwards and these stars can never touch except by violence. But the listener holds on to a secret, mongrel nature that expects the reverse in his musical substance; to them, Mizutani’s feedback becomes the stock characters of a post-war play or short story and the blank centers of the costumed stars enact a strange form of passive discipline, the irreversible movements of destined emotion.
July 4, 2010
posted by caroline picard
Philip von Zweck tonight: GODBLESSAMERICA
14: Manifest your destiny. Four hours of radio live on WLUW FM 88.7 Chicago (wluw.org) 10pm cst. Whales, Oil Spills, and America. featuring the talents of John Wanzel, Caroline Picard and Devin King, Carter Todd, Salem Collo-Julin, Red Jerry, Eric Humphrey, James Barry, Dan Peterman, Brian Taylor and many more.
May 6, 2010
posted by Caroline Picard
Jacob Knabb wrote a pretty sweet little ditty, along with photos from last Saturday night’s event. I’ve included an excerpt below:
King Beer is Wasted: Green Lantern Press hosts a release party for *CLOPS* & *The Wasteland and Other Poems*
On Saturday, May 1st, Green Lantern Press hosted a release party for their current author Devin King’s book-length poem *CLOPS* and John Beer’s ‘best-selling’ Canarium Books release *The Wasteland and Other Poems*. A crowd of around 40 souls attended and were treated to Devin’s splendid singing, a nice sampling from CLOPS, and an experimental poem involving personal favorites Lux Interior and Skeeter Davis (among others). John Beer followed with a poetic cycle from his book (that originally appeared in Another Chicago Magazine #47) entitled “The Perfumed Crypt, or Four Quarters in Eight Bits,” which was accompanied by a slide-show featuring Uma Thurman and a ruinous castle. Afterward, drinks were had, conversations were held, and we were ushered forth into the spring night with red wine and Shiner Bock in our ‘broken mouths.’.
You can read the whole article, along with photographs taken by Jacob himself by going here.