As the performance web site and calendar for the gallery is slowly coming together, I thought for my first blog post I’d give a quick overview of some of the different series and events we’ll be producing this fall.

The Open Secret: Curated by Brian Wallace and Joni Murphy, this series delves into how artists invest themselves in local community while still keeping an eye to the internet and the various new communities cyber-space affords. This series will be a mish-mash of artist talks, performances, and film screenings from those local and distant that’ll be wrapped up into a sassy publication.

Now It’s Dark: Local improvisor/art-music/nice hair dude Marc Riordan curates a series of experimental films with improvised scores other local improvisors. Marc was at the space yesterday telling me and Abby about one of the movies he’ll be showing: Peanut-butter and Robin the Boy-Wonder is all I’m gonna say. David Moré-who’s show of sound portraits is up at the moment-will be lending his singing saw to the movies, and Jeff Kimmel, Jason Roebke, and Brian Labycz will be around too.

Quiet Circle:More improvisation, but rather than facing a screen, the musicians will be arranged throughout the gallery–the better to make subtle noises that investigate spatiality and notions of collaboration at a distance, my dear. Everything I’ve ever seen curator Noé Cuéllar do is smart (pressed suit rather than SAT) and luscious (folds of thick corduroy rather than lip gloss): ten people playing politely in a circle isn’t just an idea he had, it’s his thing.

As Yet Untitled Experimental Movie Night:Co-curator Jesse McClean has been in Venice for the film fest for the last few days, so we’re still working out the title for this one, but it’s gonna be a doozy: three nights of film that investigate the connections between director and audience. 20 minute Van Halen solos? Middle school kids cussing? The entire cast of Hello Dolly recording the entire Harry Smith folk archive set under heavy sedation? One of these things will not be apart of this series. Co-curated with Eric Fleischauer.

As Yet Untitled Established Authors talking to Younger Authors:I really want to call this night Crosstalk! or At the Table! or Around the Coyote! (…) to give it the Sunday morning TV zazz I think it deserves. This night is being curated by Beth Sampson, who’s working on the new School of the Art Institute journal Dear Navigator, and she’s got poets coming out of her ears/flying in from all over, all of whom I can’t talk about yet. Why am I doing so? Because poetry is a passive-aggressive media.

The Parlor also begins tonight with Gina Frangello and continues through December: Atomix regular Adam Levin will be up in October reading from his new book from McSweeney’s and urban-running-womyn Lindsay Hunter reads sideways from her new featherproof book in November.

posted by Caroline Picard

what follows is a series of descriptions of the different facets of the proposed new green lantern endeavor. still looking for a space as yet and consequently what follows is kind of like a working, though far-along, sketch of what’s to come. in other words, some of the names may still be changed, some of the specifics too. that said, you’ll still get a solid and (hopefully) concise play-by-play. woohoo!

and onto the Next

big bang idea 

Lantern Projects 2010 – onwards

address: TBA 

The umbrella for this new vision is Lantern Projects. Under this new structure, contingent practices, in the form of non-profit and for-profit businesses, rely on one another to sustain the energy and financial stability of independent cultural production and dissemination.

      What was once an apartment space is born anew as a storefront. A bookstore featuring curated books put out by independent presses. The bookstore shares a counter with a cafe that sells coffee. The cafe is also a bar that sells beer. There are tables in this storefront and a hallway along its side. Down the hallway, you will see a door to the basement. The basement has public performances, ranging from live music events, to improv comedy, to lectures, to performances, plays, artist talks, readings and screenings. Upstairs, there is The Green Lantern Gallery, subsidized this time, not by an apartment, but rather by the dynamic activities below.

      Four people run this space. In addition there are three yearlong artists-in-residence who also work at the cafe. They keep office hours and meet with the public on a rotating basis. They are here to work on specific projects, projects that engage with the resources of the space and the community.

      In order to further integrate each element of the larger project—the gallery, the press, the performance space and the bookstore—we have decided to center a yearlong investigation (2010-2011) on the idea of ecology. The idea of ecology provides a thematic framework through which our projects can be viewed and understood and also reflects the interrelatedness of the space, mirroring a horizontal administrative infrastructure in which a synergy of parts maintains the whole. 

      In this organization neither the gallery nor the press nor the bookstore is a closed system, rather those spaces are environments dedicated to the exploration, presentation and discussion of the traditional and often hierarchical means of organizing culture. Through that investigation we hope to break open current systems in order to supply alternative dynamisms: messy, vibrant, and innovative collaborations between artists, audiences, mediums and ideas.


Green Lantern Gallery  

THE GREEN LANTERN GALLERY is a venue dedicated to exhibiting emerging and mid-career artists working in all media who push disciplinary boundaries and explore experimental processes. The Gallery’s thematic exhibitions and artist projects are thought experiments, models for critical and social engagement, poetic ruminations, and interrogations of the creative process from all angles. Committed to forming alternative and sustainable models for the distribution and presentation of noncommercial contemporary art, the nonprofit Gallery is partnered with the for-profit Cafe and The Corpse Performance Space to mutually support the Lantern Projects community and contribute to the sustainability of contemporary artists’ practices. 

Green Lantern Press  

THE GREEN LANTERN PRESS is a paperback company specializing in the publication and distribution of emerging and forgotten works. Dedicated to the “slow media” approach, we see the book as an intimate and portable exhibition site. Each book features some variety of silk-screened covers, color plates collected from the working practice of independent artists and thematic texts from writers. Each work is printed in small, collector’s editions of 250 – 500. This is in keeping with a general attitude about consumerism and the material we print, namely that we intend to print only what can be sold while demonstrating an intuitive bridge between mediums. Work submitted by authors/artists is done so on a donation basis. We manage all printing and distribution costs. We do not keep the rights of any book, but ask to be notified of any re-printings.   

THE GREEN LANTERN PRESS is distributed by SPD in Berkeley, CA, and sold through PAPER CAVE, an on-line and bricks-and-mortar bookstore. 

An example of how we integrate “ecology” into the projects we curate 


In 2010/11 THE GREEN LANTERN PRESS will contribute a number of books that explore the subject of environment and hierarchy on their own respective terms. While these works do not present a single world-view, they interpret different systems with different tools, critiquing the viability of those systems while creating new platforms of investigation. The Book Of The Mutation Of Fortune presents a skewed mirror of fairy tale fiction in which Erica incorporates medieval witchcraft and fortune telling with contemporary motifs. Amira Hanafi’s Forgery, meanwhile, appropriates language from various sources and patchworks that information in a prose-poem quilt that investigates the relationship between a dinosaur industry and the city that sprung up around it. A.E. Simns First Impressions First Touch* indexes the handshake, revealing the inherent power play of every greeting while simultaneously transforming it into a child’s game. On the other side of the spectrum, Gerry Kapolka’s Kordian, a Polish play (pub. 1800s) translated for the first time in English, describes a coming-of age story that parallels Poland’s transition from Romanticism to Modernism. In addition to these titles, a limited edition chapbook (No. 3 in the Pocket Lantern Series) features the best-of collection of flash fiction from an on-line site, fictionatwork, and a book about off-site art practice called Service Media which will be released in conjunction with a group show by editor, artist and curator Stuart Keeler. Each book examines a different ecology, a different and seemingly independent system. In doing so THE GREEN LANTERN PRESS hopes to achieve a kaleidoscope effect, one both informative and resonant with visual and performative exhibitions. 

*This video documents one of the many handshakes that will be included in FIFTH: 

The Corpse Performance Space  

Through performances, lectures, and conversations with and against the site of Lantern Projects, THE CORPSE hopes to create a dynamic public entry point to The Green Lantern Gallery and The Green Lantern Press as an evolving point of confluence. Where possible, specific considerations will be made to work through the separately reflexive and coded language of the arts and humanities, sciences, and politics in the interest of creating an inclusive, learned, and politely speculative environment. 

Every year, COPRSE Director works in tandem with the Gallery Director to create no less than three annual series reflective of the concerns engaged with during each gallery show. Those series would take place over three month increments. In addition, two-four series should be planned each season separate from, but not necessarily inapplicable to, the gallery show. With these latter series, the Director will seek the input of outside programmers, allowing as much programming to come from the surrounding Chicago community as possible. Similar to the role the Director plays with the Gallery Director, outside programmers will be expected to work in tandem with the Director to make sure programming, per season, is unified, if not monistic. In creating and soliciting programming, the Director will favor those in search of clarity, both reasonable and wide-eyed, all the while creating a space, ultimately, for inclusion rather than exclusion. These ideals will be expected and understood by the participants in programming. 

Paper Cave 

Paper Cave is a curated bookstore that speaks directly to the issues manifesting in the physical space. Titles include texts that supplement gallery exhibitions and public performances, as well as independent presses. In addition, small presses and print projects will be invited to present exhibitions in the display case located in the cafe. The titles in this store should inform the larger agenda of the space, namely to demonstrate the relationship between various theoretical practices which address a common subject. Each year guests will be invited to supply a list of works that address that common subject. The bookstore will then carry those books. 

The Holon Residency Program 

What is it? 

Lantern Projects invites persons of any discipline to apply for our unique artist-in-residency program. Residents will be employed part-time by the Lantern Projects Café, and in exchange The Green Lantern Gallery, The Green Lantern Press and/or The Corpse Performance Space will incubate a self-directed creative project. We are looking for ambitious, creative people who are engaged in interdisciplinary art practices, interested in developing alternative models for the distribution and presentation of their work, and want to be part of a unique art organization that is engaged with the values of small business, independent press, non-commercial art practice and critical dialogue. Projects can take the form of public programming, curatorial projects for the gallery, and/or publication projects, and/or public performance. Residents can choose to work exclusively with the Press or the Performance Space or the Gallery or propose a combination of the three. 

How it works: 

Residencies are available in 12-month increments. Residents are expected to work 25 hours a week and hold monthly office hours which will be open to the public. As Cafe employees, residents will primarily serve drinks and assist in general maintenance/upkeep of space, supervised by the Paper Cave Director, and earn $260/week. Residents can also choose to join Lantern Projects group health insurance plan. 

There is no dedicated “studio” space but residents have access to shared office space and can use programming and gallery space based on availability and project needs. Applicants should take these parameters into consideration however they see fit. We welcome proposals that range from independent research and study to more public-oriented projects that engage with the Green Lantern community.     

No previous experience with cafe work required though we are looking for people who will be responsible employees willing to learn in a fast-paced environment. Lantern Projects is a team effort and we are seeking applicants who are enthusiastic, and have a sense of humor and an interest in helping our business model succeed.   

We do not provide accommodations but we can assist you in looking for places to live. (we are not accepting applications at this time)