August 16, 2010
The Danny’s Tavern Reading Series
August 18th 2010!
Featuring readings by Patrick Culliton, Devin King, and Caroline Picard
Patrick Culliton’s chapbook Hornet Homily is available from Octopus Books. Recent work has appeared, or will soon, in Another Chicago Magazine, Beeswax, Conduit, Eleven Eleven and elsewhere. He teaches at UIC and Loyola.
Devin King’s first book CLOPS is out from the Green Lantern Press. He lives and works in Chicago.
Caroline Picard is the Founding Director of The Green Lantern Gallery & Press, and a Co-Editor for the literary podcast The Parlor (www. theparlorreads.com). Her writing has been published in a handful of publications including the Phildelphia Independant, NewCity, Lumpen, MAKE Magazine, the Chicago Art Journal Review and Proximity Magazine.
June 27, 2010
posted by Caroline Picard
Newcity published a blurb/interview that I pulled together with Nick Butcher. I’ve posted it below. He’s playing at the Empty Bottle this week. Which is rad. Go here to see the article in its original context–
Nick Butcher is always working. He works across fields, with a visual art practice, he co-runs an independent print shop, Sonnenzimmer, with his ongoing collaborator Nadine Nakanishi, and he makes music. When he performs, he sits at a table with a plethora of curious objects: the guitar is the most recognizable, the others—electronic boxes, sticks, static surfaces—he collages together, creating walls of changing, textured sound. His two records, “The Complicated Bicycle” and “Bee Removal,” are available on Hometapes and in commemoration of a five-year anniversary since the release of “The Complicated Bicycle,” Butcher is re-releasing the record with a bonus disk containing new tracks, and performing at the Empty Bottle.
“For me the best art and music just happens,” he says. “It happens in that space where you weren’t thinking, that could be a doodle or it could be a few random notes played on a guitar. There is something that happens in that unconscious moment that I can’t quite put my finger on. There is an utter honesty to it that I find really cool. For me, this intuitive approach is the closest I can get to understanding how the world works. Because for that brief moment, I feel connected to something larger, outside of myself. So, for me, making music is a way to harness those moments and shape them into something further. To do this I use the crappiest equipment around. A cheap sampling keyboard (Casio SK-1) and a few cassette-tape recorders with handmade cassette tape loops in them. For source material, I use an acoustic guitar, or found sounds. Doors closing, coins spinning, etc…This allows me to record snippets of sounds intuitively onto the loops which, when played back, arrange themselves into repetitive patterns, unveiling the underlying structure. From there I add and subtract accent notes on the keyboard or guitar, then record another loop to play along with the first one. There’s not really an end point in mind, just a continuous morphing song cloud that shapes and shifts as it moves along. For my recordings, I take the same approach, but dump stuff onto a computer to be further edited into more focused compositions, which also allows room for incorporating beats, key changes, etc. For this reason, my performances and the recordings are two different yet connected things.” (Caroline Picard)
Nick Butcher plays the Empty Bottle, 1035 North Western, (773)276-3600, June 30 at 9:30pm.
June 10, 2010
posted by Caroline Picard
This was published in Newcity’s weekly magazine. Happy to see one Zach Dodson in there and, of course, Jesse Ball. You can read the entire list and blurbs by going here.
A strange and unpleasant wind blows through the literary land. Our obsession with technocultural toys, whether iPhones, iPads or Kindles, makes the foundation of thought almost since thought was recorded, that is ink on paper, seem increasingly destined to be twittered into obsolescence. And it’s not just mere media frenzy, either. Massive upheaval among major publishers these last few years has left some of Chicago’s finest writers stranded in a strange land: that is, the work is finished, but no one is around to put it out. Who knows, maybe in two years when this version of Lit 50 returns, some, if not all, of our authors will be publishing mostly, if not entirely, in the digital realm. If that’s the case, let’s enjoy an old-fashioned book or two while we can.
As noted, this year’s list is limited to authors, poets, book designers and so on, with next year bringing back the behind-the-scenesters. As it was, this year’s project was daunting, with 126 viable names in consideration for fifty slots. The loss of our last #1 is most noteworthy, with the passing of Studs Terkel, but the list is populated by nineteen new faces, who either return to the list after an absence or show up for the first time. To make way for new names, some stalwarts had to be set aside; in many cases, this was due to their status as still between projects since our last go-round. We tried to limit ourselves in most cases to those with new work published between 2008 and 2010.
Lit 50 was written by Brian Hieggelke, Naomi Huffman, Tom Lynch, Andrew Rhoades and Rachel Sugar
June 2, 2010
posted by Caroline Picard
From Newcity’s 411 section:
You can read the whole piece by going here.
It’s a gallery! It’s a performance space! It’s a bookstore! It’s a café! The revived Green Lantern Gallery, temporarily housed at Chicago and Maplewood in Ukrainian Village, permanent location TBD, is aiming to be Chicago’s answer to Gertrude Stein’s living room. It’s an expanded vision of the original Green Lantern Gallery, which director Caroline Picard once ran out of her apartment. When the city shut it down due to an ordinance against such ventures, it left Picard with a choice: go big or go home (no pun intended). She’s going big. The new dream is a joint collaboration with featherproof books, another independent press interested in books that cross the boundaries between visual art and literature. “It’s like a high-school mega crush,” featherproof’s Zach Dodson says of the relationship between the presses. Picard recounts their fateful meeting at the NEXT art fair as a “marathon… of gossip and story-swapping and big-bang idea speculation.”
March 8, 2010
February 16, 2010
Kate Zambreno will read at The Parlor Tuesday, March 2nd at 7pm!
Kate Zambreno is an editor at Nightboat Books and a former senior editor of the Chicago alt-weekly, Newcity. Her reviews and essays have appeared in The Believer, Bookforum, Rain Taxi, and elsewhere. She keeps the literary blog Frances Farmer Is My Sister at http://francesfarmerismysister.blogspot.com.
Kate will read from her debut novella O Fallen Angel (Chiasmus Press), a triptych of modern-day America set in a banal Midwestern landscape, inspired by Francis Bacon’s “Three Studies for Figures at the Base of a Crucifixion” as well as Virginia Woolf’s Mrs. Dalloway.
Of the book the performance artist Karen Finley wrote that “Kathy Acker would be proud” and Chris Kraus compared it to Angela Carter’s fairytales. Books will be available for sale.
Following her 30 minute reading, Kate will take questions from the audience.
As always, the event will be recorded and published on-line for your repeated listening pleasure on iTunes and at www.theparlorreads.com
All readings take place at 1511 N. Milwaukee Ave, 2nd Floor
The Parlor is a monthly reading series sponsored by Bad At Sports Podcast (www.badatsports.com).
December 28, 2009
posted by Caroline Picard
Newcity published its Best Of 2009 issues and a show curated by Anne Elizabeth Moore featuring print artists from Chicago and Providence was listed in the Top 5 Print Shows of 2009. You can see more of the top five list by going here.