After Omer Fast

December 27, 2008

After Omer Fast

a response to Omer Fast @ the Rymer Gallery

by Devin King

I.

on the

flicker

to combine

—carrot—

or

on the

—dirtiest—

or

on the

—the knight of a thousand faces—

.

a “rather not”

.

flicker

to combine

or

—the snakiest of the snakes—

combined

to flicker

running flags,

stitches

caused fabric

to become hard

on the

affect

a vaseline

porous singing

usury is still

nested in transit

on the

other hand-

of the rarest mention:

a loft,

moments of hesitation,

three pairs of hands

moving to interrupt the handshake

“the brothers’ dimensional

infrastructure of presentation”

combine too

interrupt

now/here

henri/ad

false/after

II.

please don’t talk to the lifeguard

decided fugues

ghosts

costing

I’m

I’m

on the

left

my

my silhouette

can’t be touched

I’m

I’m

on the

left

face up

my

my silhouette

can’t be touched

do you ________?

do you ________?

do you or don’t you?

I think you do.

do you ________?

do you ________?

do you or don’t you?

I’m saying you do.

III.

On the

ending

the open

banjo sway

heart

the ending

on heart.

banjo hammer

knotted fingers

split teeth

on the

porch monkey.

minor desperation

blatant and soft

on heart

ending sway

the banjo

IV.

every photograph I see looks like it was taken by some dude who wanted to make sure everyone looked like they needed a good fuck

and it’s different from advertisements

Odette with a fleshy kimono.

posted by Caroline Picard

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